in art criticism,you must assume

In art criticism, there are several assumptions that one typically must make in order to provide meaningful and insightful ***ysis. Here are some key assumptions:

1. **Subjectivity**: Art criticism is subjective by nature, as it involves the personal interpretation and response to the artwork. Critics must acknowledge their own biases, emotions, and perspectives.

2. **Context**: Understanding the historical, cultural, and artistic context in which the artwork was created is crucial. This includes the artist's background, the time period, and any relevant socio-political events.

3. **Technique and Craftsmanship**: The assumption that the technical skill and execution of the artwork are important aspects of evaluation. This includes the artist's use of materials, tools, and the mastery of techniques.

4. **Expression and Meaning**: Assuming that the artwork communicates a message or emotions, and that this communication is intentional or at least worthy of ***ysis.

5. **Aesthetic Qualities**: That the artwork possesses certain aesthetic qualities that are open to interpretation, such as composition, color, form, and texture.

6. **Audience Engagement**: Acknowledging that the artwork may be designed to elicit a particular response or to be appreciated by a specific audience.

7. **Critical Standards**: Assuming that there are certain standards or criteria by which to judge the artwork, which might include originality, innovation, skill, and relevance to the broader arts community.

8. **The Artist's Intent**: While not always possible, there is an assumption that some understanding of the artist's intent can provide valuable insight into the artwork.

9. **Comparative Analysis**: That the artwork can be compared with other works, either within the same genre or across different mediums, to provide a broader perspective.

10. **The Role of the Critic**: Recognizing that the critic's role is not just to evaluate the artwork but also to engage with it, to share their own experiences and reactions, and to foster dialogue about the artwork.

These assumptions help to frame the ***ysis and discussion of art, but they can also be challenged and reconsidered as art criticism evolves and new perspectives emerge.